antonella casoli

FULL PROFESSOR

University of Parma

Italy

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Antonella Casoli is a Full Professor at the University of Parma, Italy. Her research focuses on conservation techniques and analytical studies in the field of art, including the restoration of historical artworks and the evaluation of methods for art preservation. Recent publications explore various aspects of conservative restoration, material analysis, and innovative cleaning approaches for both decorative and mural paintings.

antonella casoli

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Articles (15)

Artificial Ageing Study and Evaluation of Methods for Oil Removal on Decorative Plaster in Artistic Hispano-Muslim Artworks

Mural Painting Discovered in the Crypt of the Cathedral of Parma (Italy): Multi-Technique Investigations for the Conservative Restoration Project

Hydrophobic and Photocatalytic Treatment for the Conservation of Painted Lecce stone in Outdoor Conditions: A New Cleaning Approach

Surfactant-Free w/o Gelled Emulsions with Benzyl Alcohol: Analytical Study for Varnish Removal on Oil Paintings

The Polychromatic Inscriptions on the Relief Sculpture Deposition from the Cross by Benedetto Antelami in Parma Cathedral, Italy

Giovanni Santi’s Late 15th-Century Paintings: Microscopic, Spectroscopic and Chromatographic Investigations on Pigments, Powdered Glass and Binding Media

An analytical study to verify the suitability of free and gelled siloxanes for the treatment of modern oil paintings

The 20th Century Wall Paintings in the Chapel of the Fallen in Parma Cathedral (Italy): Scientific Investigations for a Correct Conservation Project

The painting technique of Konrad Witz: An example of experimentation with innovative materials in 15th century

Unveiled materials and techniques in wall paintings hidden for centuries in the church of San Francesco del Prato (Parma, Italy)

A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System

Organic Matter and Pigments in the Wall Paintings of Me-Taw-Ya Temple in Bagan Valley, Myanmar

Research on the Organic Binders in Archaeological Wall Paintings

Enzymes as tools for conservation of works of art

Combination of a Solvent-dispensing and Micro-aspiration Device for Removal of Varnishes on Painted Surfaces

Collaborators (6)

Claudia Graiff

Danilo Bersani

Valeria Mengacci

Claudia Pelosi

Laura Fornasini

Luca Lanteri

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