Silvia Angeli

The University of Manchester

United Kingdom

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Articles (10)

Here to stay: death, mourning and hauntology in Denis Côté’s Répertoire des villes disparues (2019)

Year:

2024

The Tragedy of the Knight of Faith

Year:

2023

Confirmations that were not meant to be: religion, violence and the female body in Un poison violent (2010), Corpo celeste (2011) and Kreuzweg (2014)

Year:

2023

The Ultimate Freedom? Suicide as ‘Exit Strategy’ in Marco Bellocchio’s Il regista di matrimoni (2006) and Sorelle Mai (2010)

Year:

2022

Olmi and Pasolini: Industrialisation, the underdog and ‘ecological eschatology’ in Manon finestra 2 (1956) and Grigio (1957)

Year:

2021

‘A polyphonic tale’: Arendt, Cavarero and storytelling in Sarah Polley’s Stories We Tell (2012)

Year:

2021

A Miraculous Materialism: Lines of Flight in We Have a Pope and Corpo Celeste

Year:

2021

From the margins: Alice Rohrwacher’s liminal adolescents

Year:

2020

From the margins

Year:

2020

Lina Wertmüller Symposium: A report, 13 December 2019, University of Westminster

Year:

2020

Collaborators (1)

Francesco Sticchi

Lecturer in Film Studies

Oxford Brookes University

UNITED KINGDOM

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