Andrea Marchetti

Assistant Professor - Postdoctoral researcher

University of Antwerp

Belgium

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About

Andrea Marchetti is an Assistant Professor and postdoctoral researcher at the University of Antwerp, Belgium. His research focuses on the degradation and preservation of historical materials, as evidenced by his recent works on the stability of eosin Y complexes, the preservation of brass, and the noninvasive characterization of heritage glass-metal objects using novel optical photothermal infrared spectroscopy. Additionally, he investigates the nanoscale analysis of historical paintings and the role of synthesis in the structure and composition of pigments.

Articles (9)

Year:

2025

Year:

2023

Year:

2022

Year:

2021

Year:

2021

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2021

Year:

2021

Year:

2021

Year:

2020

Collaborators (3)

Lieve Watteeuw

Head VIEW - KU Leuven Core facility for Heritage Science and Digitalisation Technologies // Head Book Heritage Lab - KU Leuven

KU Leuven

BELGIUM

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Victoria Beltran

University of Antwerp

BELGIUM

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Jakub Jaroszewicz

University of Warsaw

POLAND

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Andrea Marchetti

Research Interests

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Articles (9)

Degradation of eosin Y complexes during natural ageing: Spectroscopic markers and parameters that affect their stability

All that glitters is not gold: Unraveling the material secrets behind the preservation of historical brass

Novel optical photothermal infrared (O-PTIR) spectroscopy for the noninvasive characterization of heritage glass-metal objects

Inside Cover: Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L′Arlésienne (Portrait of Madame Ginoux) by Van Gogh (Angew. Chem. Int. Ed. 42/2021)

Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L'Arlésienne (Portrait of Madame Ginoux) by Van Gogh

Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L′Arlésienne (Portrait of Madame Ginoux) by Van Gogh

Nanoscale Analysis of Historical Paintings by Means of O‐PTIR Spectroscopy: The Identification of the Organic Particles in L′Arlésienne (Portrait of Madame Ginoux) by Van Gogh

Geranium lake pigments: The role of the synthesis on the structure and composition

Unraveling the Role of Lattice Substitutions on the Stabilization of the Intrinsically Unstable Pb2Sb2O7 Pyrochlore: Explaining the Lightfastness of Lead Pyroantimonate Artists’ Pigments

Collaborators (3)

Lieve Watteeuw

Victoria Beltran

Jakub Jaroszewicz

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