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Marcelo Wanderley

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Full Professor

McGill University

Canada

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Professors in Canada Professors in Music Music professors in Canada

About

Marcelo Wanderley is a Full Professor at McGill University in Canada. His research areas include mixed reality, digital musical instruments, and haptic audio, as evidenced by his recent publications on behavioral measures of copresence and the impact of force feedback on performance. He is also focused on accessibility in music technology, exploring the interaction between soundscape simulation and public space installations.

Recent Grants

Grant: Close

SynchMuse: Computational models of musical synchrony in human-agent groups

Open Date: 2024-01-01

Close Date:

Grant: Close

Design strategies for new digital musical instruments (DMI)

Open Date: 2011-09-01

Close Date: 2016-04-01

Articles (17)

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2025

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2025

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2024

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2023

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2023

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2023

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2022

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2021

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2021

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2021

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2020

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2020

Collaborators (6)

Florent Berthaut

Associate professor

Université de Lille

FRANCE

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Isabelle Cossette

Associate Professor

McGill University

CANADA

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Christian Frisson

Assistant Professor

University of Calgary

CANADA

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Felipe Verdugo

Assistant professor

Université de Montréal

CANADA

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Catherine Guastavino

Professor

McGill University

CANADA

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Landon Morrison

Assistant Professor of Music

University of Rochester

UNITED STATES

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Marcelo Wanderley

Research Interests

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About

Recent Grants

Articles (17)

Behavioral Measures of Copresence in Co-located Mixed Reality

On mapping as a technoscientific practice in digital musical instruments

Virtual Partners Improve Synchronization in Human−Machine Trios

Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances

Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience

Using soundscape simulation to evaluate compositions for a public space sound installationa)

Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France)

Challenges and Opportunities of Force Feedback in Music

Feeling the Future—Haptic Audio: Editorial

Analysis of Accessible Digital Musical Instruments through the lens of disability models: a case study with instruments targeting d/Deaf people

Sticking choices in timpani sight-reading performance

Proximal-to-Distal Sequences of Attack and Release Movements of Expert Pianists during Pressed-Staccato Keystrokes

Surveying digital musical instrument use in active practice

Can Ubimus Technologies affect our Musicality?

Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review

Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures

Haptic and audio interaction design

Collaborators (6)

Florent Berthaut

Isabelle Cossette

Christian Frisson

Felipe Verdugo

Catherine Guastavino

Landon Morrison

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