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Melanie Wald-Fuhrmann

Director

Max Planck Institute for Empirical Aesthetics

Germany

Research Interests

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Articles (16)

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2026

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2026

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2026

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2026

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2025

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2025

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2025

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2024

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2024

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2023

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2023

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2023

Collaborators (7)

Ann-Kristin Herget

Hanover University of Music Drama and Media

GERMANY

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Hauke Egermann

University Professor

University of Cologne

GERMANY

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Lauren Fink

Asst. Professor

McMaster University

CANADA

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Sonja A Kotz

Chair in Neuropsychology and Translational Cognitive Neuroscience

University of Maastricht

NETHERLANDS

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Anna M. Czepiel

Max Planck Institute for Empirical Aesthetics

GERMANY

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Martin Kreuzer

University of Cologne

GERMANY

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Wolfgang Tschacher

University of Bern

SWITZERLAND

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Melanie Wald-Fuhrmann

Research Interests

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Articles (16)

A cross-cultural empirical investigation of aesthetic responses to an Iranian dance style

Enculturation modulates aesthetic judgments of dance

Beyond Simple Sums: Similarity-Weighted Measure of Musical Taste Breadth and Social Stratification in Contemporary Germany

Listener Perception and Musical Structure: A Study of Segmentation in Sonata Form

Matthias Pape: Kunst und Krieg. Prinz Louis Ferdinand, Ludwig van Beethoven und seine Wiener Mäzene

From structural listening to daydreaming: Listening modes influence the individual experience in live concerts

An Interdisciplinary and Integrated Methodological Framework to Analyze Aesthetic Experience in Music Performances

Concert formats influence how audiences experience live classical music

Audio‐visual concert performances synchronize audience's heart rates

Western Classical Music Concerts Are More Immersive, Intellectually Stimulating, and Social, When Experienced Live Rather Than in a Digital Stream. An Ecologically Valid Concert Study on Different Modes of Liveness

The influence of formats and preferences on the aesthetic experience of classical music concert streams.

13. Music in Christian Services as a Means to Induce Religious Feelings

Iranian classical dance as a subject for empirical research: An elusive genre

Physiological synchrony in audiences of live concerts.

The aesthetic experience of live concerts: Self-reports and psychophysiology.

Comparing the aesthetic experience of classic–romantic and contemporary classical music: An interview study

Collaborators (7)

Ann-Kristin Herget

Hauke Egermann

Lauren Fink

Sonja A Kotz

Anna M. Czepiel

Martin Kreuzer

Wolfgang Tschacher

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