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Nick Bryan-Kinns

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Professor of Creative Computing

University of the Arts London

United Kingdom

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About

Nick Bryan-Kinns is a Professor of Creative Computing at the University of the Arts London. His research focuses on the intersection of digital technologies and creative practices, particularly in music and textile design. Recent articles include studies on generative models in music, user interactions with commercial machines, and the role of digital technologies in contemporary craft practices.

Recent Grants

Grant: Close

Latent spaces for human-AI music generation

Open Date: 2022-09-25

Close Date: 2026-09-29

Grant: Close

Artificial Intelligence for Supporting Musical Creativity and Engagement in Child-Computer Interaction

Open Date: 2020-09-13

Close Date: 2024-09-29

Grant: Open

UKRI Centre for Doctoral Training in Artificial Intelligence and Music

Open Date: 2019-06-30

Close Date: 2027-12-31

Grant: Close

AI for Music in the Creative Industries of China and the UK

Open Date: 2019-02-14

Close Date: 2019-08-12

Grant: Close

Digital Platforms for Craft in the UK and China

Open Date: 2019-02-01

Close Date: 2020-09-29

Articles (28)

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2020

Collaborators (10)

Alexander Lerch

Professor

Georgia Institute of Technology

UNITED STATES

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Francisco Enrique Vicente Castro

Research Scientist

New York University

UNITED STATES

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Terence Broad

Senior Lecturer

University of the Arts London

UNITED KINGDOM

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Mick Grierson

University of the Arts London

UNITED KINGDOM

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Weining Ning

Lecturer in Design

Brunel University London

UNITED KINGDOM

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Swen Gaudl

University of Plymouth

UNITED KINGDOM

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Sarah Fdili Alaoui

University of the Arts London

UNITED KINGDOM

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Mafalda Gamboa

Assistant Professor

Chalmers University of Technology

SWEDEN

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Stella Doukianou

Senior Lecturer

University of the Arts London

UNITED KINGDOM

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Gabriel Vigliensoni

Assistant Professor in Creative Artificial Intelligence

Concordia University

CANADA

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Nick Bryan-Kinns

Research Interests

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About

Recent Grants

Articles (28)

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The Arts in HCI Tapestry: Networking, Making, and Reflecting Together

Interpersonal Interaction in AR Mediated Informal Learning on Cultural Relics: The Effects of Goal, Asymmetry, Competition, and Proxemics

Towards Praxis GenAI: Exploring Generative AI Tools for Huayao Embroidery Craft Practice

Glanceable Verification Indicators for AI-Assisted Storytelling

Preliminary Explorations of Generative AI and the Embodied Embroidery of Huayao Intangible Cultural Heritage

Survey on the Evaluation of Generative Models in Music

Exploring User Interactions with Commercial Machines via Real-world Application Logs in the Lab

Interactive Movement-to-Audio with Pre-Trained Neural Networks

Cultural Erosion or Innovation? Artisans’ Attitudes Toward AI-Generated Patterns in Chinese Traditional Subcultures

Leveraging small datasets for ethical and responsible AI music making

Listening Together-Apart: On the Social Mediation of Sound Installation Listening

Generative AI for Affective Vibration: Human-Centered Evaluation of LLM and VAE Models

Speculative Co-design With AI: An Artist-Friendly Prototype for Non-Human Avatar Creation

XAIxArts Manifesto: Explainable AI for the Arts

Unmasking the Power of Play Through TUI Designs

The role of digital technologies in contemporary craft practice from UK–China insights

Exploring Variational Auto-encoder Architectures, Configurations, and Datasets for Generative Music Explainable AI

Editorial: Remote XR user studies

Designing Audio Feedback to Enhance Motion Perception in Virtual Reality

Exploring visual stimuli as a support for novices' creative engagement with digital musical interfaces

Integrating Interactive Technology Concepts With Material Expertise in Textile Design Disciplines

Material Maters: Exploring Materiality in Digital Musical Instruments Design

On Mediating Space, Sound and Experience: Interviews with situated sound art practitioners

Qi2He: A co-design framework inspired by eastern epistemology

Perception and Initial Adoption of Mobile Health Services of Older Adults in London: Mixed Methods Investigation

The influence of mobile phone location and screen orientation on driving safety and the usability of car-sharing software in-car use

On the role of in-situ making and evaluation in designing across cultures

Collaborators (10)

Alexander Lerch

Francisco Enrique Vicente Castro

Terence Broad

Mick Grierson

Weining Ning

Swen Gaudl

Sarah Fdili Alaoui

Mafalda Gamboa

Stella Doukianou

Gabriel Vigliensoni

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