Silvia Bruni

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Università degli Studi di Torino

Italy

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About

Silvia Bruni is an Associate Professor at Università degli Studi di Milano, Italy. Her research focuses on the application of advanced spectroscopic techniques in the investigation of cultural heritage artifacts, including archaeological pottery and illuminated manuscripts. Recent publications highlight her work on non-destructive analysis methods and the study of pigments in various contexts.

Articles (13)

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2024

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2024

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2024

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2023

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2023

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2022

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2022

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2022

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2022

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2022

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2022

Collaborators (7)

Stefano Pieraccini

Associate Professor

Università degli Studi di Milano Dipartimento di Matematica Federigo Enriques

ITALY

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Letizia Bonizzoni

Università degli Studi di Torino

ITALY

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Nicola Ludwig

Università degli Studi di Torino

ITALY

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Giovanna Bagnasco Gianni

Università degli Studi di Torino

ITALY

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MCHIARA PALANDRI

Professor

ITALY

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MARCO GARGANO

Professor

University of Milan

ITALY

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Maurizio Sironi

Università degli Studi di Torino

ITALY

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Silvia Bruni

Research Interests

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Articles (13)

Conservation Treatment and Non-Destructive Investigation of Six Japanese Woodblock Prints by Utagawa Kunisada: A Multi-Interdisciplinary Project at the Edoardo Chiossone Museum of Oriental Art

A Tuneable and Easy-to-Prepare SERS Substrate Based on Ag Nanorods: A Versatile Tool for Solution and Dry-State Analyses

Organic residue analysis in archaeological pottery. Heating markers in non-cooking vessels from Etruscan Tarquinia (Italy): A sampling problem?

External Reflection FTIR Spectroscopy Applied to Archaeological Pottery: A Non-Invasive Investigation about Provenance and Firing Temperature

Bucchero Ware from the Etruscan Town of Tarquinia (Italy): A Study of the Production Site and Technology through Spectroscopic Techniques and Multivariate Data Analysis

Inside the Scriptorium: Non-Invasive In Situ Identification of Dyes in Illuminated Manuscripts by Microspectrofluorimetry and Multivariate Analysis: The Crescenzago Choir Books (End 15th Century) as a Case Study

Resonance Raman and Visible Micro-Spectroscopy for the In-Vivo and In-Vitro Characterization of Anthocyanin-Based Pigments in Blue and Violet Flowers: A Comparison with HPLC-ESI- MS Analysis of the Extracts

From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy)

Special-Effect and Conventional Pigments in Black Light Art: A Multi-Technique Approach to an In-Situ Investigation

A Silver Monochrome “Concetto spaziale” by Lucio Fontana: A Spectroscopic Non- and Micro-Invasive Investigation of Materials

UV-Excited Fluorescence as a Basis for the In-Situ Identification of Natural Binders in Historical Painting: A Critical Study on Model Samples

Etruscan Fine Ware Pottery: Near-Infrared (NIR) Spectroscopy as a Tool for the Investigation of Clay Firing Temperature and Atmosphere

FT-NIR Spectroscopy for the Non-Invasive Study of Binders and Multi-Layered Structures in Ancient Paintings: Artworks of the Lombard Renaissance as Case Studies

Collaborators (7)

Stefano Pieraccini

Letizia Bonizzoni

Nicola Ludwig

Giovanna Bagnasco Gianni

MCHIARA PALANDRI

MARCO GARGANO

Maurizio Sironi

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