Tuomas Eerola

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Professor

University of Durham

United Kingdom

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Professors in United Kingdom

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Tuomas Eerola is a Professor at Durham University in the UK. His research encompasses various areas within music psychology, including emotional experiences of music, the impact of gender on emotional reactions, and transparency in research practices. Recent publications highlight his focus on mental health predictors, auditory affective priming, and the social role of music among older adults.

Recent Grants

Grant: Close

Interpersonal Entrainment in Music Performance

Open Date: 2016-03-31

Close Date: 2018-03-30

Grant: Close

Tagging online music contents for emotion. A systematic approach based on contemporary emotion research

Open Date: 2014-05-31

Close Date: 2015-09-29

Grant: Close

SWEET SORROW: Empathy-related mechanisms involved in the enjoyment of music-induced sadness

Open Date: 2013-01-09

Close Date: 2017-08-31

Articles (20)

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2025

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2021

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2021

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2021

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2021

Collaborators (8)

Martin Clayton

Professor of Ethnomusicology

University of Durham

UNITED KINGDOM

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Suvi Saarikallio

Professor at University of Jyväskylä

University of Jyväskylä

FINLAND

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Fallon Mody

University of Melbourne

AUSTRALIA

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Jonna Vuoskoski

Associate Professor in Music Cognition

University of Oslo

NORWAY

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Tom Hardwicke

Senior Lecturer

University of Sydney

AUSTRALIA

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Mats Küssner

Lecturer

Humboldt-Universität zu Berlin

GERMANY

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Henna-Riikka Peltola

Assistant Professor, Vice Head responsible of Education

University of Jyväskylä

FINLAND

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Jeremy Kendal

Associate Professor

University of Durham

UNITED KINGDOM

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Tuomas Eerola

Research Interests

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About

Recent Grants

Articles (20)

Episode model: The functional approach to emotional experiences of music

Prevalence of transparency and reproducibility-related research practices in music psychology (2017–2022)

Major-minorness in tonal music: Evaluation of relative mode estimation using expert ratings and audio-based key-finding principles

Gender, emotion regulation, and cognitive flexibility as predictors of depression, anxiety, and affect in healthy adults

Auditory affective priming: The role of trait anxiety and stimulus type

Music as social surrogate? A qualitative analysis of older adults’ choices of music to alleviate loneliness

The role of gender in emotional reactions elicited by music: Autonomic reactivity, facial expression, and self-reports

What emotions does music express? Structure of affect terms in music using iterative crowdsourcing paradigm

onsetsync: An R Package for Onset Synchrony Analysis

Prevalence of Transparent Research Practices in Psychology: A Cross-Sectional Study of Empirical Articles Published in 2022

Vigilance and social chills with music: Evidence for two types of musical chills.

Emotional expression through musical cues: A comparison of production and perception approaches

Cross-modal Transfer of Valence or Arousal from Music to Word Targets in Affective Priming?

Musical Enjoyment and Reward: From Hedonic Pleasure to Eudaimonic Listening

The role of population size in folk tune complexity

An Interactive Approach to Emotional Expression Through Musical Cues

Being moved by listening to unfamiliar sad music induces reward‐related hormonal changes in empathic listeners

Register impacts perceptual consonance through roughness and sharpness

Online Data Collection in Auditory Perception and Cognition Research: Recruitment, Testing, Data Quality and Ethical Considerations

Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners

Collaborators (8)

Martin Clayton

Suvi Saarikallio

Fallon Mody

Jonna Vuoskoski

Tom Hardwicke

Mats Küssner

Henna-Riikka Peltola

Jeremy Kendal

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