Wesley Lim

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Lecturer in German

Australian National University

Australia

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Professors in Australia Professors in Film Studies Film Studies professors in Australia

About

Wesley Lim is a Lecturer in German at the Australian National University in Australia. His research interests encompass Asian masculinities in figure skating, the intersection of horror film with German modern dance, and the exploration of queer orientalism in dance photography. He has published several articles examining cultural representations in dance and performance, including those focusing on notable figures such as Nathan Chen and Yuzuru Hanyu.

Recent Grants

Grant: Close

Between Austria and Australia: Staging Hybrid Nationhood in the Photographs of Gertrud Bodenwieser and her Dance Companies

Open Date: 2023-11-01

Close Date: 2024-02-01

Articles (11)

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2023

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2023

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2023

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2022

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2021

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2021

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2021

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2021

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2021

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2021

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2020

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Wesley Lim

Research Interests

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About

Recent Grants

Articles (11)

Breathing Back the History of German Modern Dance through the Horror Film Genre in Luca Guadagnino's Suspiria (2018)

Asian sporting masculinities in figure skating: media representations of Nathan Chen and Yuzuru Hanyu as rivals

Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities

Queer Orientalism and Modernism in Dance Photographs of Harald Kreutzberg and Yvonne Georgi

A Mode of Agitation between Verfremdungseffekt and Empathy: Breaking the Fourth Wall in Craig Gillespie’s I, Tonya

Reimagining the Brown Body: Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe’s Screendance

Beginning the Legacy of GDR Figure Skating but Stopping Short: Gaby Seyfert's Performance of Her Eigensinn

Bodies in Color, Black and White, and in Piles: The Dichotomy of Concentration Camp Aesthetics and Somatic Dance Practices in Sasha Waltz's Screendance Körper (2000)

A Mode of Agitation between Verfremdungseffekt and Empathy

Reimagining the Brown Body Contact Improvisation and an Alternative Masculinity in Alignigung, William Forsythe's Screendance

The specter of Pina Bausch: enhancing the possibilities of Tanztheater through film in Wim Wenders’s Pina (2011)

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